Usually this is applied with colour corrections to create the look you’re familiar with.

This adds contrast and brightness in a specific way. Because it is captured in a linear fashion, in order to look like a proper “image” that you are familiar with a “tone curve” is applied. When you process a RAW file normally, part of the decoding process is applying a tone curve to the outputted image data. If you’re ok with all that and still want to try this, then read on ! Linear Profile in Capture One I’ve matched the results visually by eye, and this is only my first iteration of this theory, so there is absolutely room for improvement. Using this method you won’t be able to use the Film Simulation modes, and the file sizes will be relatively large. I’m only really showing this as an experiment, but if you want to try it go ahead. There’s a whole range of reasons as to why this is a bad idea. Read on to find out more… Important Disclaimerīefore I get into the instructions, a couple of quick disclaimers! First of all, I don’t recommend this as a workflow. So, after spending some time experimenting, I’ve come up with a possible solution. While there is no direct way to do this in the exact same way it is with Iridient X-Transformer, getting these questions did get the cogs in my brain working! I wondered if there was a way one could use Capture One’s flat profile to achieve something similar. I’ve often gotten questions from readers as to whether there is any way to use Capture One Express in a similar fashion to Iridient X-Transformer, in order to produce a file that you can then import into Lightroom for further editing.

Iridient x transformer fuji profiles